We are currently about 90% done, and our ultimate goal is to finish it, and put it up on the internet for people to freely download and enjoy.

Then I thought it would be neat to add the interior to the docking bay, and then maybe some of the surrounding Mos Eisley city, then I thought “hey, let’s put the Mos Eisley Cantina in as well!” It was at this point that I realized the scope of this project had grown beyond my ability to finish it by myself, so I extended an invitation to several of the artists working with me at Obsidian to help out with this project in their free time, and I got many very enthusiastic YES responses, so I divided up the work based on the time and effort commitments that volunteers were willing to put into it. Originally it was just going to be the Falcon sitting in Docking Bay 94 so I could run around and look at it in real-time. Brian Leleux, one of Obsidian’s primary lighting artists, and several others. Ken LeSaint & Thad Clevenger, two more senior artists from various industry backgrounds. Craig Marschke, another senior artist from the Call of Duty realm and the fondly remembered Novalogic era. A few of note are Terry Hess, another senior artist who has worked on several Call of Duty titles and also worked for EA on Medal of Honor and Battlefield 4. As I mentioned previously, in addition to myself we have several other artists, most with over 10 years of experience, working with me. I also took a brief hiatus from making games back in 1999 & 2000 to work on the Starship Troopers Animated television series. I have contributed to many games over the years, some of the more notable titles are Enter the Matrix, and The Matrix Path of Neo, SOCOM 4, Medal of Honor Warfighter and a brief stint on Battlefield 4 DLC, and Armored Warfare.

I myself have been working in the games industry for over 21 years, with a broad range of studios, from small start-ups early in my career, to some of the larger publishers/developers such as Sony and EA.

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